HERE I'M GIVING YOU A BEST MOVIES TOP5 LIST ๐ฅ๐ฅ
BEFORE WE START PLEASE DON'T FORGET TO FOLLOW MY BLOG FOR MORE UPDATED MOVIE LIST AND UPCOMING MOVIE LIST.....SO LET'S START...
1) Cliff Walkers
Zhang Yimou (Hero, House of Flying Airplanes) brings an intriguing style to the usual spy-movie clichรฉs with Cliff Walkers, a proverb known as the 1930s-set espionage saga when four Communist agents entered Manchuria Japan to smuggle one survivor of a concentration camp. This quartet is divided into pairs to achieve its purpose of concealment, only to be attacked immediately and always meet with comrades who can be two agents (or three?). Whether it’s early shooting from the point of view of opponents of parachuting-through-trees, or an attempt to freeze the city’s gala, Zhang combines Hitchcockian skepticism with Drs. Zhivago, all the while shouting (among others) Charlie Chaplin and Sergio Leone. Almost every meeting in the Spy Fiction 101 book appears at some point, but the good news is that the director is correcting many of the suspicious pieces in some way - a situation created by organizational, proprietary, fuzzy and in flux. It may be dedicated to the Communist Revolution, but its real heart belongs to the old Hollywood.
2) The Watchman
Things are going horribly wrong for The Vigil for Yakov (Dave Davis), a young man who said - he left his orthodox community and lived in Brooklyn - took on the task of keeping an eye on a survivor of the Holocaust. That work does not bring him back to the neighbors (and faith) he refuses, but puts him in the chariot of evil spirits, who, in turn, torment both the dead man in his presence, and his wife (Lynn Cohen), who behaves violently around David in his dark Borough Park. Keith Thomas' first feature has a great sense of its internal structure and trauma and the pressure to escape from the extremes of religion, and the author / director strikes out accusations on the appointed parts that use peace to operate. Davis’s glue-bound face that holds this guaranteed thriller together, lends itself a sympathetic grip that helps make its action as a reflection of the past (personal and historical) as a way of passing, and escaping it.
3) iSupernova
Colin Firth and Stanley Tucci not only create indelible drawings of love and sorrow in Supernova; they suggested, in peace and tranquility among themselves, the invisible but unbreakable bonds that bind them together. Harry Macqueen's play charts are under Firth's Sam and Tusker's Tusker as they ride in their RV through rural England, a place they named after the return of former pianist Sam and their intention to say goodbye to Tusker, who is mentally disturbed by dizziness. Their story is simple in bombing scenes but difficult to keep quiet, never undermined by grief and fear, both of which are set aside - if at all amplified - by their enduring resilience. Macqueen’s gentle and professional writing goes hand in hand with his portraits of his pastoral character, allowing his makers — Firth to be contemptuous and to have a pent-up; Tucci is bold and fearless - completely absorbing the emotional states of their opponents. Supernova understands the sorrows and triumphs of love, and how our lives, for the better, shine before the burning, their death touches and transforms those who are left behind.
4) The Dig
Archeology is a way of reviving the past in The Dig, a drama based on the famous excavation of Sutton Hoo's 1939 excavation, which unearthed countless 6th-century Anglo-Saxon artifacts found inside a complete ship. Driven by the "hunter" of Sutton Hoo owner Edith Pretty (Carey Mulligan), local archaeologist Basil Brown (Ralph Fiennes) seeks secrets hidden in the mounds of his estate. Working from a script by Moira Buffini (based on a book by John Preston with the same name), director Simon Stone made a lovely portrait of our desire to update yesterday with today's inquiry. As her film expands on the future threat of WWII, and how it affects the circumstances of Edith's cousin arrested by the RAF (Johnny Flynn) and the research wife's (Lily James) wife (Ben Chaplin), it also becomes questionable, and the importance of holding - and appreciating - any brief moments of joy and love one can do. Its beautiful views (often credited with Weather Days) enhance its positive narrative, as the best performance for all involved, led by Fiennes in one of its understated games - and quietly present - to date.
5) Honey
Don't eat anything of unknown origin - a warning ignored by Riley (Malin Barr who often argues) and Sam (Sawyer Spielberg, Steven's son) in Honeydew. On a camping trip to New England, the couple meets an unfriendly landowner who chases them out of their sleeping quarters, forcing them to embark on a night trip through the woods to the home of Karen (Barbara Kingsley). Although Riley and Sam are clumsy, they are forced to eat down one of the cows and bread cooked at Karen’s home, which ends up being very worrying because the region is notorious for losing plants and cattle due to a toxic disease. That is just the beginning of the author / disaster director Devereux Milburn who kept his characters, who met at their dinner by a confused-looking man with a bandaged head, and who soon discovered that Karen had plans for them - some of which were related to her daughter. Made with green layout and screens to separate the top divides, the following mayhem is stunning, awesome and great, and announces the arrival of a terrifying voice outside.
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